A reckless listener from an early age, Sarah Lilley grew up in Philadelphia and spent most of fourth grade under the covers listening to CBS Radio Mystery Theater. Initially dreaming of life as a physicist, she attended the University of California at Berkeley, and ultimately earned a degree in Music. (Which makes complete sense.)
Now a Contributing Producer of arts and science features to Public Radio International‘s “Studio 360” since 2002, Lilley was a member of the team that produced the 2004 Peabody-Award-winning program “American Icon: Moby Dick“. She also oversaw the launch and first 3 years of their “Science & Creativity” series (funded by the Alfred P. Sloan Foundation), to which she has remained a principal contributor since 2005. She has additionally produced for WNYC / New York Public Radio, The New Yorker Radio Hour, KPCC / Southern California Public Radio, American Public Media, the Canadian Broadcasting Corporation and WFUV New York. For the company Acoustiguide, Lilley wrote, produced — and frequently voiced — museum audio tours, including several at New York’s Museum of Modern Art. Her tour “Uncommon Commentary” at the Blanton Museum of Art in Austin, TX, won the 2007 Gold MUSE award, the top media prize from the American Alliance of Museums.
In the Fall of 2015, Lilley produced the 8-part, science-fictional podcast “The Message” for the Panoply network (on behalf of General Electric and BBDO). Based on an original script by playwright Mac Rogers, it featured 10 actors, recorded on set. It reached No.1 on the iTunes podcast chart and won the 2016 Webby Award for “Best Use of Native Advertising”.
But, really — why should you care? Because she’s synaesthetic. Because she’s a music geek, an art geek and a science geek. Because she loves bad weather, especially any weather that makes a noise. Because she believes booming car stereos have an inverse relationship to sexual prowess. Because she thinks waking up for no reason at 5AM rocks. Because, despite living here forever, she still adores New York City. Because she is truly productive when staring at the ceiling. Because she loves fearless thinkers, dreamers, daredevils of the mind. Because every year is somehow, amazingly, better than the last, even when it hurts. Because she only knows one joke — but it’s a really good one.
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